Wednesday, July 27, 2005

URDC Top 15 Predictions 2005 - Results

Here are the actual URDC Top 15 for 2005, compared with our predictions:

Actual Top 15 Our Predictions
15 - Hola Chica
15 - Cavatina
14 - Chilly Chilly Cha*
13 - The Old House*
11 - Java Jive
11 - Jack Is Back
9 - Sleeping Beauty
9 - Orient Express
6 - Adeline
6 - Boulavogue*
6 - Beyond
5 - Smoke Gets In Your Eyes
4 - Beale Street Blues
3 - Jurame
2 - Papillon
1 - And I Love You So


Adeline
All That Jazz
And I Love You So
Beale Street Blues
Begin To Color Me
Boom Boom
Cavatina
Chilly Chilly Cha
Dark Waltz
I'm Still Me
Jack Is Back
Jurame
Liebestraum No. 3
Orient Express
Papillon
Sleeping Beauty
Symphony
Warm and Willing

* Denotes dances that are new in the Top 15 this year.

We were able to predict 8 of the 16 dances selected.

Our performance this year was poor. Last year we were able to predict 14 of the Top 15, missing only Beale Street Blues. The new dances are the hardest to predict. In 2003 we were able to predict 13 of the Top 15.

Hola Chica and Smoke Gets In Your Eyes also ranked high on our lists, but not quite high enough.




Friday, July 22, 2005

URDC Report #4

Did we guess that "Smoke Gets In Your Eyes" would be in the Top 15? If not, then Al and I really have egg on our faces. The #1 dance was "And I Love You So," which surprised no one.

Today I met Anita Froehlich, who posts occasionally to the list. She saw my emails and sent me a personal message to look for her. We didn't talk a lot, but she doesn't appear so shy in person as she does on the list. I also met a lurker by the name of Erwin (sorry, it's late and I can't remember your last name) who offered to help me with Mac problems. Erwin, speak up! Also, I neglected to mention previously that I talked several times with Vanessa Otto, a dancer from southern California who I see frequently at dances all over California.

I counted 6 couples here from the San Jose, California area and 4 couples from Sacramento, but the Sac-ites corrected me and said there are 7 couples from their area. With 26 northern Californians here and untold others from southern California, we were disappointed that Kay didn't include us when he recounted the attendance from states and countries who sent the most attendees.

Kay has his hands full with other things right now, as Joy fell during this evening's dance and apparently injured her (other) wrist. Joy, you are in our prayers tonight!

Several teachers who met Daisuke Doi this week were surprised to find that he has been attending URDC conventions annually since 1998. But they didn't really know who he was until this year. Both CRDA and NCRDTA have selected his dances as ROMs recently. Maybe we'll see one of those dances in the Top 15 someday?

Today we learned a difficult West Coast Swing, "Draggin' The Line" by Randy and Marie Preskitt, with music by the same name from Tommy James and the Shondells, vintage 1972 or so. The dance is only a Phase V but was confusing for those of us not yet experts at WCS. The dance is ultimately rewarding because the choreography fits the music so well.

We happened to line up right next to Bill and Olga Cibula to dance their "Hey Mambo," a dance we unfortunately do not know. At least we had someone knowledgeable to watch when we got lost!

Mary's back problems eased up considerably today after icing last night. We were able to dance anything we wanted to tonight and with reasonable form and flexibility. We were even able to dance Bill Goss's waltz. It was during the workshop of this waltz that Mary's back went wonky. No refection on the dance ... Mary's back doesn't like the "standing around" and "looking circles" that happen during a dance teach.

A friend of mine who grew up in San Antonio but now lives in our area suggested that we eat at a certain Mexican restaurant here. But she said to call first and make sure it's still there because the last time she ate there was 12 years ago! Well, Karam's Mexican dining room is still here and going strong after 58 years! The food, service and ambiance were wonderful. They gave us all the information we needed to order around our food allergies. They had a wonderful guitar band who played the whole time we were there. They played "La Paloma," "Cuando Calienta El Sol," and other favorites. Most had a rumba rhythm and I tried to get Mary to dance with no success. Karam's is at the corner of Commerce and Zarzamora in San Antonio, and we highly recommend it.

I just discovered something funny. My Mac screen is updating while I write this email. So I checked and our hotel room at the Alamo Travelodge has wireless internet. All week I've been dragging the computer down to the Menger Hotel to use their wireless access, and it was totally unnecessary. This week has been a comedy of errors in many ways.

Thursday, July 21, 2005

URDC Report #3

The HOF dance for 2005 is Boulavogue, a beautiful waltz by Richard Lamberty. A board member had mentioned to me that the choice of HOF might be surprising to some. Not to me; I love the dance. But it has apparently never been in the top 15 before, so maybe to some it appeared to come from out of left field.

Did we guess that Sleeping Booty, Boulavogue, or Beyond might be in the Top 15? If not, then we sure missed by a mile. This is apparently Boulavogue's first time in the Top 15. I don't have all the records with me, but you can check the web site.

I managed to apologize about this afternoon's confrontation and hopefully all ruffled feathers are smoothed over. We've been able to do a few slow dances tonight despite back problems. Now if I
can just get the problems with our hotel room fixed I will believe in miracles. I can't be that hard to please, eh?

Tonight Tim Eum managed to hook me up with Bob Benjamin, a delightful man. We hope to talk more tomorrow.


URDC Report #2

Our backs haven't been cooperating with us today. We went to the teach for Bill and Carol Goss's waltz "Try To Remember" but we couldn't do it, despite the fact that we knew 95% of the figures. We decided to try an easier dance in the afternoon, since Kenji and Nobuko Shibata's mambo "Tequila" seemed way out of reach of our frail bodies. We did Tim and Debby Vogt's beautiful Bolero "My Heart Will Go On" instead. We just barely made it through Chris and Terri Cantrell's cha "Una Manana,", which came next.

The Tango we learned yesterday was "Don Diego," by Brent and Judy Moore.

I also failed to mention that we met Roy and Janet Williams. We still have not hooked up with Bob Benjamin.

The San Antonio convention center has the best dance floor we have ever been on. Why they don't hold the dance here more often is beyond me. The weather here is warm and humid, but not hot and not nearly as humid as Ohio, Virginia, or New York, other places that I've danced in summers past. There have been some thunderstorms but all at night or during a dance session, not while traipsing back and forth between hotel and convention center. The fallout from Hurricane Emily gave us some rain during yesterday afternoon's session, then was quickly gone.

Our only complaint thus far is that after the afternoon session today, they locked us out of the main hall for about fifteen minutes while practicing the hall of fame dance, which must remain a big secret.
Unfortunately, our street shoes (and those of several other couples) were locked in that room and we couldn't leave the building for that time. This only delayed the process of our getting ice onto our aching backs in the hotel room.

Everyone here has been exceptionally gracious, except of course me, who went ballistic at the aforementioned shoe episode. Mary says I seem to be on the warpath today.

There has been some private discussion of the HOF dance. Someone noted that Kenji and Nobuko's "Beyond" was on last year's ballot but not on this year's ballot. Others have noted that the time allotted for the HOF presentation is long, bringing speculation that there might be two dances in a tie.

After tonight we'll know the HOF dance and the more of the Top 10 dances but not yet the Top 5. They always save the best (and the most obvious) until last.

I have a new PowerBook and I'm trying to use it instead of the MiniDisk to record all the dances. Unfortunately, although I'm quite familiar with Macs, I'm not familiar with the new notebooks. Unknown to me, I recorded several hours of dancing from the internal microphone instead of the audio cable. All told I lost about 1/3 of the convention dancing and 1/3 of the new dances being presented. That's frustrating.

If I can dance all I wish tonight without hurting my back and Mary's, make it to review sessions of dances we didn't quite "get" while at the same time staying in the room and icing our backs, complain to "management" while simultaneously apologizing to innocent others who bore my wrath earlier today, get good sound recordings while not dropping my computer again, and meet all the Weavers who are supposedly here but who I will never recognize, then miracles truly can happen.


Wednesday, July 20, 2005

Quick report from URDC

We are sitting in the lobby of the Menger Hotel, which has wireless internet access.

We have met several Weavers, including Joe and Pat Hilton, Jack and Sue Lane, Tim and Nana Eum (whose name is not pronounced the way it is spelled), and the wonderful Daisuke and Tamae Doi, who gave us a gift of a wonderful gilt plate with a Japanese scene.

Tim gave me a "W" button. It is for the mailing list, not for our president. Tim tells me Bob Benjamin is here, but I have not met him yet. One other couple, I can't remember who right now. It is late.

We learned a difficult Tango by Brent and Judy Moore this afternoon.

Al and I messed up the Top 15 terribly. Already Java Jive and The Old House are in the Top 15. We have not yet seen the Top 10. Those will happen tomorrow and Friday nights.

There are several couples here from California.

We took a wonderful road trip from California to Texas. Lots more about that later.


Friday, July 1, 2005

Most Popular Round Dances of 2004-2005

Every year in July, just before URDC, I post the most popular 100 dances of the previous twelve months. This according to my count of how many times each dance has been done or been on a request list for any festival that I know about.

The purpose of this list is to let me know which dances I want to work on if I want to be able to dance the most at an upcoming festival.

The following dances have been on the list all four years 2002-2005:

Adeline
All That Jazz
Am I Blue
Amapola
And I Love You So
Bard, The
Begin To Color Me
Beyond
Boulavogue
Cavatina
Children, The
Doolittle Cha
Falling Into You
Fiesta Tango
Fortuosity
Hola Chica
Java Jive
Jean
Kiss Me Goodbye Rumba
Laurann
London By Night
Mujer
Papillon
Patricia Cha
Sam's Song
Sleeping Beauty
Smoke Gets In Your Eyes
Sunflower
Symphony
Tampa Jive
Tango Capriccioso
Through Your Eyes
Tonight
Wounded Heart
Wyoming Lullaby

The following dances are brand new this year:

A La Playa
Anastasia
And That Reminds Me
Boom Boom
Chilly Chilly Cha
Close Every Door
Dark Waltz
Five Guys Named Moe
Gotta Get on this Train
I Do I Do I Do
Just Another Woman in Love
Knock On Wood
Libertango
Look At Me I'm Sandra Dee
Looking Through Your Eyes
On and On
Rhythm of My Heart
Right Here Waiting
Scheherazade
Starlight Express
Take A Bow
This Is The Life
Waltz In Heaven, A
Way You Do, The
You Forget
-

In a separate article, I've posted predictions for the URDC Top 15
based on the figures that created this list.